Vietnamese cinema featured at ASEAN+3 Film Festival in Prague
The ASEAN+3 Film Festival opened in Prague on September 3 (local time), bringing together the film industries of ASEAN member states (Vietnam, Indonesia, Malaysia, Myanmar, the Philippines, Thailand), alongside China, Japan, and the Republic of Korea.
Vietnamese Ambassador to the Czech Republic Duong Hoai Nam poses for a commemorative photo with embassy staff at the opening ceremony. (Photo: VNA)
Prague (VNA)ಌ – The ASEAN+3 Film Festival opened in Prague on September 3 (local time), bringing together the film industries of ASEAN member states (Vietnam, Indonesia, Malaysia, Myanmar, the Philippines, Thailand), alongside China, Japan, and the Republic of Korea.
This year’s edition takes audiences on a journey through diverse narratives and striking visuals, highlighting the cultural richness, traditions, and people of Asia. Each film offers a unique perspective where emotions, history, and art converge to tell stories that are both relatable and distinctive.
The festival commenced with the animated short Love, Dad (2021) by Diana Cam Van Nguyen, a Czech director of Vietnamese origin. The film delves into the complex bond between a father and daughter, rekindled through old letters he once wrote to her, blending live-action with delicate animation to create a poignant and intimate cinematic language.
As part of the festival, Vietnam Film Week will open on September 6, serving as a key event in celebrations marking the 75th anniversary of diplomatic relations between Vietnam and the Czech Republic./.
The beauty of Southeast Asian countries is highlighted at a photography exhibition opening at the Institute of Cultural Exchange with France (IDECAF) in Ho Chi Minh City.
An event named “ASEAN Family Day” was held in Vientiane, Laos, on August 23 to celebrate the 58th anniversary of the Association of Southeast Asian Nations (ASEAN).
With its integration policy, Vietnam has been an active and responsible member of the ASEAN Community, and it also plays a leading role in certain fields and communities, particularly in ASCC.
Vietnam welcomes some 4-5 million Chinese visitors annually. In the first eight months of this year, Vietnam hosted more than 3.5 million Chinese. Vietnamese travellers, meanwhile, are increasingly drawn to China’s cultural and natural attractions.
On the evening of September 15 (local time), Algerian audiences enjoyed the Vietnamese film “Dao, Pho va Piano” (Peach Blossom, Pho and Piano). Vietnam was invited as the guest of honour at this year’s festival. In addition to the feature film, the country also introduced the documentary “Dien Bien: Land and People” and another featuring the 1954 Dien Bien Phu Victory for competition at the event.
Divided into three chapters with dozens of meticulously staged performances, the programme created a vibrant and emotionally rich atmosphere. The blend of tradition and modernity, powerful voices, and the solemn resonance of the symphony orchestra gave the show its distinctive hallmark.
The photo collection, which features typical landmarks and landscapes as well as the culture and lifestyle of Da Nang people, aims to introduce the image of Vietnam's central city to Korean friends.
Held on September 13-14, ManiFiesta – the annual festival of solidarity organised by the Workers' Party of Belgium – drew tens of thousands of participants from across Belgium and neighbouring countries. Alongside music, debates and cultural exchanges, Vietnam made a strong impression with a booth rich in national identity.
Vietnam’s top female badminton player Nguyen Thuy Linh, ranked 18th in the world, was unable to defend her title after losing 0-2 to Cai Yan Yan of China (world No. 107) in the women’s singles final of Yonex-Sunrise Vietnam Open 2025.
At Nhan Dan’s pavilion, visitors encountered a vivid chronicle of Vietnam’s milestones under the Communist Party of Vietnam and the late President Ho Chi Minh’s leadership, from the struggle for independence and reunification to modern development and global integration. Special publications marking Vietnam’s 80th National Day, coupled with performances by Vietnamese artists, intricate handicrafts, and fragrant dishes, had foreign visitors lining up in droves.
Vietnamese singer Duc Phuc will be among 23 artists from 23 countries participating in Intervision 2025, an international music competition often described as the “Eurovision of Eurasia", in Russia.
The event aims to promote solidarity among ethnic minorities, particularly the Cham people, in southern and south-central Vietnam, following the recent merger of provincial-level administrative units.
The animated feature Buffalo Kids, hitting Vietnamese theatres on September 12, is developed from the record-breaking short Strings (2024), which holds the Guinness World Record for the most awarded short film in history.
The national achievement exhibition, themed “80 Years of Independence – Freedom – Happiness,” is the largest of its kind held in Vietnam so far, bringing together 28 ministries and central agencies, 34 localities, 16 state-owned economic corporations, and 94 leading private enterprises.
Victory Vietnam by Swedish film director Bo Öhlén is a deeply moving and authentic documentary, officially premiered in April 2025 on the occasion of the 50th anniversary of the Liberation of the South and National Reunification of Vietnam (April 30, 1975 – 2025).
The LION Championship 26 (LC26) will take place at Tay Ho Gymnasium in Hanoi on September 13, with the spotlight on the debut of World WBC Muay Thai Champion Truong Cao Minh Phat, who will square off against Irish fighter Aaron Clarke in the 61kg MMA Striking category.
The archives consist of administrative records, maps, and technical drawings from 1911–1955 left by French coal companies, along with images capturing coal mining, colonial architecture, miners’ lives, and the local community. These materials not only carry historical value but also offer vivid insights into Quang Ninh’s socio-economic landscape before 1955.
Vietnam’s rich cultural heritage and stunning landscapes are taking centre stage at the third photo exhibition “Vietnam Through the Lens of International Photographers”, which opened in Hue city on September 10.
The Ho Chi Minh City Union of Friendship Organisations (HUFO) hosted a screening of the film Mua do (Red Rain) on September 9 for members of the consular corps and Lao and Cambodian students studying in the city, a part of activities marking the 80th anniversary of National Day (September 2, 1945 – 2025),
With this victory, Vietnam finished at the top of Group C with nine points, officially securing a place in the AFC U23 Asian Cup 2026 Finals, scheduled for January 2026.
On the opening day, Vietnam’s Vu Thi Trang played the first match for the host country, defeating Indonesia’s Aashi Rawat 2-1, marking an encouraging start for the home team.
